PAST EXHIBITIONS PAST EXHIBITIONS

"la Caixa" Foundation organises exhibitions to show works from its Collection of Contemporary Art. We're working to make all our exhibitions available for you to view in the new future.

 
 

Select the year of the exhibition you wish to view:

  • Turbulence

    19.07.2018 // 21.10.2018

    CAIXAFORUM BARCELONA

    Starting with the state of sudden unrest created by turbulence, this exhibition explores the role of contemporary art in the face of the conflicts and instabilities that characterise our globalised world.

  • A Certain Darkness

    19.06.2018 // 05.01.2019

    CAIXAFORUM BARCELONA

    One morning in August 1911, the Mona Lisa was stolen from the Louvre without anyone noticing. The painting remained missing for two years. However, far from deterring visitors, this absence had the opposite effect: crowds flocked to the museum to see the empty space on the wall.

     

  • ¡Mírame! Retratos y otras ficciones en la Colección ”la Caixa” de Arte Contemporáneo

    10.05.2018 // 30.09.2018

    MUSEO DE ARTE CONTEMPORÁNEO GAS NATURAL FENOSA (MAC)

    Tras presentarse en CaixaForum Sevilla y en el Museo Pera de Estambul (Turquía) durante el 2017 e inicios del 2018, la exposición colectiva ¡Mírame! Retratos y otras ficciones en la Colección ”la Caixa” puede verse actualmente en el Museo de Arte Contemporáneo Gas Natural Fenosa (MAC) de A Coruña.

     

  • El sueño de la razón

    26.04.2018 // 13.08.2018

    MUSEO DE ARTE MIGUEL URRUTIA (MAMU), BOGOTÁ (COLOMBIA)

    El sueño de la razón es una exposición en la que se entrecruzan obras de arte contemporáneo pertenecientes a tres grandes colecciones: la Colección ”la Caixa” de Arte Contemporáneo, la colección del Banco de la República (Bogotá, Colombia) y la del Museo de Antioquía (Medellín, Colombia).

     

  • Beneath the Arm: Between the Palm of the Hand and the Armpit

    31.01.2018 // 20.05.2018

    CAIXAFORUM BARCELONA

    Around four years ago, artist Irene Grau told me that the dimensions of her Color Fields — the monochrome boards that she transported and photographed amidst nature — had two limitations: the length of the load of her van and the maximum width she was able to carry under her arm, between the palm of her hand and her armpit. Let’s imagine for a moment that the size of many of the landscapes created in a specific historical period was determined only by a limitation contained in the title of this project.